MORETTO da Brescia

Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.


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MORETTO da Brescia Die Geschichte der Kurschnerei, oil


Die Geschichte der Kurschnerei,
Painting ID::  80170
Die Geschichte der Kurschnerei,
Alexander Tuma: Die Geschichte der Kxrschnerei, Verlag Alexander Tuma, Wien, 1967, cjr
   
   
     

MORETTO da Brescia Lavaters Tod oil


Lavaters Tod
Painting ID::  83027
Lavaters Tod
c. 1801-1825 Medium Oil on canvas cyf
c._1801-1825 _ Medium_Oil_on_canvas _ cyf
   
   
     

MORETTO da Brescia Die Geschichte der Kerschnerei oil


Die Geschichte der Kerschnerei
Painting ID::  84070
Die Geschichte der Kerschnerei
Date c. 1540-42 cyf
Date_c._1540-42 _cyf
   
   
     

MORETTO da Brescia Praying Man with a Long Beard oil


Praying Man with a Long Beard
Painting ID::  90645
Praying Man with a Long Beard
oil on canvas Dimensions Height: 103.7 cm (40.8 in). Width: 89.4 cm (35.2 in). cjr
   
   
     

MORETTO da Brescia The Virgin and Child with Saint Bernardino and Other Saints oil


The Virgin and Child with Saint Bernardino and Other Saints
Painting ID::  91094
The Virgin and Child with Saint Bernardino and Other Saints
oil on canvas Dimensions Height: 358 cm (140.9 in). Width: 233 cm (91.7 in). cjr
   
   
     

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     MORETTO da Brescia
     Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.

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